How to Follow Early Modern England
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Renaissance Archive
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Renaissance Clothing at the Victoria and Albert Museum
Posted on July 6, 2014 | No CommentsExploring some of the fashion of Renaissance England at the V&A Museum in London. -
The Malleus Maleficarum and King James: Defining Witchcraft
Posted on February 15, 2014 | No CommentsThe reprinting of the Malleus at this time has often led to the belief that the medieval text played a large role in this rise in witch hunts. However, a comparison of the Malleus to later works shows a shift in the definitions of witchcraft during the early modern era. -
![Brewers’ tales: making, retailing and regulating beer in Southampton, 1550-1700 James R. Brown Journal of the Brewery History Society, No.135 (2010) Abstract For some years now early modernists have been […]](http://www.earlymodernengland.com/wp-content/themes/arras-theme-master/images/thumbnail.png "Brewers' tales: making, retailing and regulating beer in Southampton, 1550-1700")
Brewers' tales: making, retailing and regulating beer in Southampton, 1550-1700
Posted on April 15, 2013 | No CommentsBrewers’ tales: making, retailing and regulating beer in Southampton, 1550-1700 James R. Brown Journal of the Brewery History Society, No.135 (2010) Abstract For some years now early modernists have been […] -
Women, ale and company in early modern London
Posted on April 15, 2013 | No CommentsWomen, ale and company in early modern London Tim Reinke-Williams Journal of the Brewery History Society, No.135 (2010) Abstract This article explores attitudes to female ale- and beer-drinkers and the […] -
The First French and English Translations of Sir Thomas More's 'Utopia'
Posted on March 30, 2013 | No CommentsAn investigation of the editions of the 'Utopia' of Sir Thomas More is an exciting subject in itself, but a comparison of the first French and English translations throws remarkable light upon the parallel developments of the two countries in Renaissance literary history. -
Devising the Revels
Posted on March 19, 2013 | No CommentsRevels were the result of collaboration by painters, sculptors, costume designers, poets, composers, artisans, and labourers in relation to whom an appointed supervisor (beginning in 1510 called the master of the revels) stood as what we might call executive producer and director.
