This thesis explores the executions of noble men and women in Tudor and early Jacobean England and the theatrical representations of executions that mirrored real life spectacles of deadly punishment.
The word ‘mistress’ has a multi-layered history. Today, it generally refers either to a woman an illicit sexual relationship, or, more rarely, to someone who is in perfect control of her art. Both the sexual connotation and the inference of complete competencei date back to at least the later middle ages.
“Tell me a story, dear, that is not true”: Love, Historicity, and Transience in A. Mary F. Robinson’s An Italian Garden
Through a poetic voice compelled to recognize that individual desire is often not reciprocated and that love entails great risk that is itself ennobling, Robinson explores the nature of love that is selfless in that one gives oneself to another, yet selfish in that one comes to need a totality of love not possible in a finite context. Paradoxically, then, love evokes both pleasure and pain.
Sexuality has an important role to play in one’s life. Sexual feelings should be given vent to. This paper draws a comparison between the sexuality of the Victorian era and the sexuality of Thomas Hardy’s Jude the Obscure.
This thesis is an investigation of the representation of the figure of the man who raped on the early modern stage.