‘Your Servant Sir what news from Tripoli?!’: A Coffeehouse Tour in London

I jumped at the opportunity to go on a tour dedicated to London’s seventeenth and eighteenth century coffeehouses. Dr. Matthew Green was once again at the helm of this tour, a fun, two hour, caffeine-fest in central London.

Samuel Pepys: Plague, Fire, Revolution Exhibit at the National Maritime Museum

A great way to celebrate Samuel Pepys birthday! Visit the National Maritime Museum to catch the final month of their exhibit on this famous London diarist, Samuel Pepys: Plague, Fire, Revolution.

Renaissance Clothing at the Victoria and Albert Museum

Exploring some of the fashion of Renaissance England at the V&A Museum in London.

Sutton House: A Tudor brick home through the centuries

My visit to Sutton House, a Tudor brick home in East London, in Hackney.

Performing at the Block: Scripting Early Modern Executions

This thesis explores the executions of noble men and women in Tudor and early Jacobean England and the theatrical representations of executions that mirrored real life spectacles of deadly punishment.

John Dee, King Arthur, and the Conquest of the Arctic

Since neither of the most significant early Arthurian pseudo-histories go so far as to place Arthur in Greenland, America, or the Arctic—although Geoffrey’s account prefigures such claims by extending Arthur’s conquests to the farthest known northern and western limits of European civilization—we must therefore turn to Dee’s own manuscripts for some illumination as to where this idea came from and how it developed.

Exhuming Henry VIII's Court: The Tudor Household on the Jacobean Stage

By revisiting the recent past of Henry’s reign, the plays construct the events as a historical past, distinct and separate from the present. Early modern performance presents, reshapes, and diverges from the collective memory of a diverse socio-economic populace. Plays about recent history offer both a form of remembrance and construction of a memory for the historical moment brought to life on stage.

The house is hers, the soul is but a tenant': Material Self-Fashioning and Revenge Tragedy

Playing dead, however, is not merely a staging issue, though performance of a single character in two simultaneous but separate locations is a legitimate concern, both metaphysical and staging, since playing dead also poses eschatological and ontological challenges to neoplatonism, stoicism, and Christian theology, frameworks within which many Jacobean and revenge plays are conceived.

The Kirk, the Burgh, and Fun

This complex web of interests and principles produces individual ironies, and the paper contrasts the activity of Haddington’s one-time schoolmaster and play director, James Carmichael, who, as he reformist minister of the town, was chosen to subdue the author of a local May play (here named for the first time).

Conflicts and Loyalties: the Parliaments of Elizabeth I

Parliament, in the modern sense as a permanent body, has existed only since the late seventeenth century. In Elizabethan England there were parliaments (plural). They were infrequent. In 1509-1603 there were 43 years during which parliaments were not called at all, and 26 of these occurred during Elizabeth’s reign. When parliaments did meet, moreover, they were short-lived.

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